
not a single significantly original aspect to it. tale as old as time with no nuance. every horror aspect has been done before. looks like shit, like exactly like his garbage skits, just darker. DOG SHIT dialogue. acting performances varying from dog shit to mediocre. extremely heavy handed in the worst way possible. you can just tell it came from a brain that stopped developing at 16 years old
I didn’t like the reliance on loud music as a jump scare but I did like the man actress’s performance it was truly disturbing. I do not think a story has to be subversive to be good and to some extent nearly all media is an imitation of something else. Nothing is truly original (or rarely so) so I did enjoy the straightforward story. I feel like Hollywood focuses on trying to write complex nuance stories but in doing so lose the plot in favor of appearing intellectual or interesting.
i really don’t think inde acted that well. not saying a movie needs to be entirely subversive, but this movie was entirely unoriginal in its plot, themes, cinematography, and horror gags. it’s just uninspired. yes no story is purely original in the sense that every story is influenced by earlier stories. being influenced is not the same thing as lacking originality tho. this movie isn’t just influenced, it borderline copies several things and just pastes them together.
but to say there are no original stories is just incorrect. shit backrooms is very original. list of other very original movies: cabinet of dr caligari, eraserhead, meshes of the afternoon, tetsuo the ironman, stalker, the matrix, persona, inland empire, citizen kane, do the right thing, the list goes on.
I thought her facial expressions were disturbing. While unoriginal it does not make it less effective. Personally I liked the use of chiaroscuro to highlight the internal conflict of Nikki as well as certain shots cropping her face to communicate Bear’s perception of her as a trophy to attain rather a person with agency and flaws. Like I said one of the few things I don’t like is the loud music as a jumpscare but overall the movie was clear and somewhat knew the story it wanted to tell
that’s statement is practically meaningless when looking at the bigger picture. if originality means inventing completely new human emotions, themes, or narrative functions, then almost nothing is original. if originality means creating a work that feels unlike what came before it, then originality absolutely exists.
i didn’t say feelings make a work original. i said originality can be judged by more than just themes and archetypes. whether someone personally finds a work original is subjective, sure. but that doesn’t mean originality itself is purely subjective. we can still talk about how unusual a work’s structure, style, ideas, or combination of influences are compared to what came before it.
I never said you did and I think that’s the problem with Hollywood: some writers try to create a bigger than life, earth-changing story with complex storytelling but there’s a reason why stories in the past worked and resonanted with an audience. By trying to write something complex you not only forget to make a story that makes sense but it’s even more clear that’s it’s been done before
you’re turning this into two separate discussions. i agree complexity doesn’t mean quality. i already established that originality doesn’t mean complexity. i agree originality is subjective to some extent. my only point is that “not purely objective” doesn’t mean “doesn’t exist.” you can still reasonably say some works are more original than others, even if people disagree on where exactly the line is.
Because this is the scene where he calls her “freaky Nikki” and through his pov we cannot register her reaction though we know based on what she said and what was told she didn’t like to be called that. To me it echoes the themes of neglecting one’s personhood in favor of personal desire. The face communicates intent, personality etc yet in that frame we only see her body showing his tunnel vision fantasy of having her not knowing her