
my opinion with plot holes is that anything goes as long as you can compensate. lynch’s movies don’t really have a lot of plot holes, but it helps that he gets by on dream logic and expression as a means of storytelling. i think we’re on the same page, but our priorities are a little different.
i think the main reason why you disagree with my point is because you seemingly haven’t seen much abstract art. sorry if that’s a poor assumption, but your canon seems to be mostly straightforward hollywood films, while i’m talking about filmmakers like david lynch or derek jarman.