
do you know what The Cure’s first single was called? remember the lyrics to Romeo’s Distress by Christian Death? have you seen Siouxsie Sioux acting out Japanese stereotypes in front of the WWII-era imperialist “rising sun” flag? I’m a leftist myself, but since the very beginning goth artists have played around with hateful imagery in a way that came with the side effect of making fascists feel plenty welcome
This statement is clearly being made in ignorance and is not done in good faith. Your ignoring the context and actual meaning behind many of these behaviors, which is not to excuse said behaviors but to point out both their meaning and the objective truth that these groups still stood firmly against hate and hate groups
I agree that conservatives and people who naively think of themselves as “apolitical” should not be embraced in our subculture. but it’s really not a surprise that we have to keep chasing these bastards out of our spaces over and over again when you look at all the repugnant shit foundational artists were tinkering with in the name of Being Edgy. especially when we’re collectively so reluctant to criticize those artists in retrospect
no, I chose my words very carefully, “came with the side effect of making fascists feel plenty welcome” says nothing about the artists’ intent and does not in any way disregard context. throwing around slurs and toying with fascist imagery absolutely did send a dangerously ambiguous message regardless of what the artists were Trying to convey what bad faith could even be involved here when I’m saying this as an antifascist goth myself…?
No, I’m saying that context and impact matters. I’m not excusing anything, I don’t think Siouxsie should have done anything like that, but I’m also saying that the rest of her work in the culture (along with the cure and many other artists) was to make sure these pos’s knew they weren’t welcome
impact? yeah, the impact that matters is stuff like Black goths hearing Rozz Williams call them something viciously hateful and dehumanizing in his most popular song, or goths of Korean or Chinese descent seeing Siouxsie romanticize the flag of the imperialist Japanese military. impact like, as I said, fascists feeling welcome. so I’m not sure what argument you think you’re posing here
“the rest of her work” like the lyrics to Hong Kong Garden? or Arabian Knights? or the time she wore a swastika? along with the rest of The Cure’s work—you mean like the time Tolhurst wore blackface in one of their music videos? this shit stacks up. no clear antifascist message is communicated when it’s combined with patterns like this