
I’m also an insane nerd. I feel like the character is more of a manifestation of his writing and not the author as a person, in fact most of the characters in the series are like this. Dazai’s writing often included dry humor and tasteless jokes to cope with deep depression and other problems, so I don’t find it inaccurate.
I feel like you haven’t fully experienced BSD Dazai’s character. He’s a deeply flawed and damaged person who has never felt human, and has spent his entire life trying and sometimes failing to find reasons to keep living. Every joke or smile we the audience see comes with the caveat that he doesn’t actually feel it. If anything, I feel like the character is a rather literal translation of the author’s work into BSD’s story.
him making grim jokes about his own experience—whether as a means of coping or any other type of personal expression—is extremely different from someone else assigning his actual real-life name to a fictional character in retrospect and then using that character for a series of slapstick visual gags about hanging and wrist-slitting. it’s just shockingly disrespectful
whereas for instance the Junji Ito adaptation of No Longer Human used little dashes of humor in a manner that actually felt similar to the original novel and was otherwise very compassionate in portraying the semi-autobiographical nature of the main character. there’s a respectful way to go about it, BSD is not that
Yeah, I would say that it’s more reflective of his work and not the author as a person. You didn’t even read what I said. All of the characters aren’t based on the authors themselves, while they share the same names, they reflect their works, not the author’s personality and lives.
already explained my perspective at length. just because you interpret the show as having some kind of depth doesn’t make assigning the real man’s name to a fictional character, one who’s constantly used for lowbrow gags about wrist-cutting and hanging, any less unnecessary or flagrantly disrespectful
and again, Dazai’s work doesn’t contain hardly any references to wrist-cutting or hanging. in fact, beyond No Longer Human, Flowers of Buffoonery and the Self-Portraits anthology, most of his published writing wasn’t even in that semi-autobiographical vein—there’s a broad spectrum of themes and tones involved, the fixation on suicidality isn’t really present outside of the titles I listed. try reading collections like Blue Bamboo or Crackling Mountain and then get back to me
I tracked down a physical copy of an out-of-print Showa-era literary anthology in the 2010s just to round out my collection of his English-translated works, I can more or less guarantee that neither of you are as familiar with the spectrum of his writing than I am. so it’s kind of funny that you’re relying so confidently on this argument about the “accuracy” of the character as an adaptation of his body of work