
to be clear, this isn’t me condemning him Or saying that the art / book in question is totally ethically acceptable, it’s just kind of a “holy shit, what? a guy this famous and revered created… THAT ?????” moment did you know he published an extremely detailed and jarring collection of illustrations of women in nightmarishly brutal torture scenarios? 😭
I wanna discourage you from looking it up if you’re even slightly sensitive to gruesome stuff like that, if you’re aren’t already desensitized it could be lowkey traumatic to see some of those pieces. but if you’re a deranged freak like me who likes to get disturbed and finds guro interesting anyway, I’ll give you the title
The Love of The Brute, or Hitodenashi no Koi some of the pieces are like, obviously disturbing but still super compelling as art, so not too shocking if you already love his work. but some of them are “oh! god! what the fuck this hurts to look at, I’m gonna be sick, why would you depict this”-level
oh yeah, I’m not actually familiar with his storytelling firsthand but he’s highly revered as a serious mangaka for adults. plus I mean, just as an artist he’s so technically-skilled that it’s clear to me why he’s a big deal! it’s just kinda funny cause a lot of people outside edgy niche shock-gore appreciator communities don’t know about the artbook
Yeah this manga goes into some pretty shady stuff with torture, rape, grief, murder. I think the most horror I had in this manga was this kid teaming up with a man and in one of the panels the guy grabbed the kid. And I was like “There is no way”, then it was later confirmed the villain was sexually abusing the kid. I never felt so much disgust in my life for any person as I had for that man. Samura really knew how to show the gritty horrific aspects of mankind in this story
I can def believe he’d be skillful at depicting similarly horrific stuff in a manner that isn’t tasteless or actively sadistic when he’s telling a story rather than creating stand-alone art pieces, seems like he’s got a lot of “range”, which I respect. that’s part of why I wanted to be clear about not condemning him even though the content of the book in question is so nauseating at times 🫡
Ooh I haven’t heard that one yet, maybe I’ll look into it! I think I just like dark themes in my novels. There’s a certain part of humanity that people try to overlook and I like how some mangaka aren’t afraid to remind us of the depravity. It just sucks cause modern Japan likes to be all kawaii so manga with dark themes really aren’t very popularized.
Blood On The Tracks is hands down my #1 recommendation for anyone who appreciates psychological horror manga that could also be described as “drama”, i.e. it’s not straightforwardly “genre horror” but it’s extremely fuckin emotionally terrifying & devastating 😭 and yeah, part of what I love about it is that it’s actually very compassionate? in the sense that it’s scary because you just want the main kid to be okay. so there’s real depth & thoughtfulness to it
respectfully though, I think it’s important to remember that the “kawaii” veneer is just our perception of Japanese mainstream culture as people looking at it from overseas—our insight into that stuff as Americans is very surface level, much like how US culture can be oversimplified if your exposure is primarily via pop culture. with both countries I prefer the artsy complex stuff, creative scenes that started out “underground” etc
personally I discovered guro online when I was wayyyyy too young to be looking at that shit, which was definitely not good for me, but now as an adult who can think critically and is less vulnerable to being harmed by what I see, I absolutely Love hanging around spaces for discussing edgy horror and transgressive art like that 🖤
! interesting point, re: the perpetrators. I haven’t examined it enough through a political lens but I do think for a lot of it (though maybe not all), it’s clear he’s not actually trying to romanticize what he’s depicting or present it as sexy or w/e. so the question of intent is intriguing to me
So it’s called guro? Yeah I was on the internet at a young age and saw a bunch of stuff I never should have. Maybe that’s why I’m into these darker aspects? I’m also deeply into art which is why I enjoy manga so much over anime. There’s so many details and themes that can added that anime adaptions just wash away. You’re right about the outside view of Japan for sure. I’m definitely gonna add Blood on the Tracks to my to-read list.
guro is slang for like, anime-style gore art that’s usually also crass or horny in some way, everything from tasteful morbid erotic art all the way to extremely unhinged dismemberment illustrations etc. it’s short for “eroguro”, which is itself a Japanese abbreviation of “erotic-grotesque”. “eroguro nonsense” is also a whole surrealistic creative movement that’s been around for a long time, usually more “highbrow” than the gore-hentai stuff
Yeah I’m maybe 20 pages in just scrolling through. I’m actually studying a bit of Japanese so I’m able to read some of it. There are a couple depictions of the women with signs that read as money signs or as markers of nationality so I wonder if this is his depiction of Japanese slavery in the western world. Of course I could just be reading into it and I haven’t even finished yet. This is very fascinating indeed
Yeah sorry for my yapping. Just finished looking through it and wow! I think there’s definitely criticisms that Samura illustrated, but not just of modern culture. And it’s interesting how some are fanatical that are usually found in hentai like the tentacles and some seem mirrored to modern BDSM culture (not calling BDSM rape, just that some depictions feel very similar to the way some BDSM positions/play is like).
omg no, no reason to apologize! earnestly really glad I brought it up, thoughtful conversation about transgressive & disturbing art is like, what I live for lol. and yeah, the mix of tones & themes is part of what made it so memorable to me as a collection, it left me with a lot of questions even when I wasn’t doing much intellectual digging beyond the surface level